• 品类：玉器手把件 • 尺寸：重：286g 在和田玉手把件收藏中，“籽料” 的天然之珍、“洒金皮” 的稀世之美、“意境山水” 的文人之韵，三者若能完美融合，便是可遇不可求的传世之品。这款和田玉籽料洒金皮浮雕意境山水手把件，恰是将自然馈赠与人文巧思凝于掌心的佳作 —— 它以籽料为骨，洒金皮为魂，浮雕为笔，在方寸玉料间勾勒出 “金辉覆山峦，云雾绕江流” 的诗意画面，既是指尖可触的温润玩物，更是藏于掌心的东方美学缩影。 一、材质之珍：籽料为基，洒金为魂 这款手把件的珍贵，首先源于其无可替代的天然材质 ——优质和田玉籽料与天然洒金皮的天作之合，为山水意境的呈现奠定了 “玉质与皮色双优” 的基础： 籽料肌理：掌心的 “温润时光” 选用的籽料历经玉龙喀什河千万年冲刷，表面布满细密的 “汗毛孔” 天然纹理，触手如抚凝脂，无丝毫生涩感。韧性极佳，不仅让长期盘玩后能快速形成醇厚包浆（油脂感随体温外溢，越盘越润），更能支撑高浮雕、浅浮雕结合的复杂工艺，确保山峦的棱角、树木的纹理清晰立体，不易崩裂。玉肉底色为羊脂白或一级白玉，质地细腻无棉，打灯观察时，仅见细微的天然玉筋，尽显籽料 “玉中精英” 的本色。 洒金皮色：自然的 “鎏金笔触” 玉料表面的洒金皮为天然形成，金点呈星点状稀疏分布，色泽为暖蜜金色，宛如阳光洒落在玉料上的碎金，无人工染色的僵硬感。最妙的是皮色分布与山水题材的天然契合：玉料顶端的片状洒金被雕为 “山间晨雾中的朝阳”，边缘的星点洒金化作 “江面波光” 或 “秋林金叶”，甚至有几缕丝带状洒金顺玉料肌理延伸，被巧琢为 “山间流泉”，实现 “皮色即景致，玉肉即留白” 的效果。这种 “天工造皮，人工造景” 的融合，让每一块手把件都成为独一无二的孤品。 二、工艺之妙：浮雕为笔，意境为魂 玉雕师以 “以刀代笔，师法山水” 的理念，将传统浮雕技法与中国山水画的 “三远法” 完美结合，刻画出 “咫尺山林，天涯意境”： 构图：掌中方寸，藏尽山水 采用 “高远 + 平远” 结合的构图：手把件左侧以高浮雕雕出陡峭山峦，山巅隐于云雾（以浅浮雕留白表现），山间用阴刻线勾勒出蜿蜒石阶，石阶旁的松树以高浮雕凸显主干，松针用细阴刻呈放射状，最终与玉肉本色的 “云雾” 融合。整体布局左密右疏、上重下轻，既贴合手掌握持的弧度（山峦凸起处贴合掌心凹陷，江面平坦处便于指尖摩挲），又营造出 “山高水远，天地开阔” 的纵深意境。 细节：于细微处见匠心 山峦部分：近景山石用 “披麻皴” 技法，以细密阴刻线表现岩石纹理，高浮雕的山石棱角分明，中景山峦以浅浮雕过渡，远景云雾则用 “减地法” 留出玉肉本色，形成 “近实远虚” 的透视感；更巧妙的是，山壁凹陷处的洒金皮被雕为 “苔藓”，金点与深色玉筋结合，让山石多了几分岁月沧桑。 林木部分：山间松树的主干用高浮雕雕出斑驳质感，松针细如毫发却根根分明；远处的山亭露出一角（浅浮雕）留白的亭内空间，留给观者 “老者观江悟禅” 的想象。 三、意境之深：金辉映山水，掌心藏诗意 这款手把件的核心魅力，在于它不止是 “雕山水”，更是 “造意境”，将中国人对自然的敬畏、对文人生活的向往，凝于掌心方寸： 洒金皮的 “点睛之境” 洒金皮不再是单纯的 “皮色装饰”，而是意境的核心载体 —— 顶端的片状洒金是 “朝阳初升”，让山峦有了晨光的暖意；江面的星点洒金是 “波光粼粼”，让流水有了动态的灵韵；甚至山巅的几缕金点，被雕为 “秋日红叶”，让山水瞬间有了季节的鲜活感。金与白的碰撞，冷玉与暖金的交融，打破了传统山水玉雕的单调色调，让 “秋江晨雾” 的意境跃然玉上。 文人画的 “留白之美” 借鉴传统文人画的留白手法，玉料上未雕刻的部分被赋予丰富内涵：一块椭圆形的纯白玉肉，既是 “天空” 也是 “云雾”；江面尽头的留白，既是 “江水悠悠” 也是 “天涯尽头”。这种 “无中生有” 的留白，让手把件超越了 “具象山水”，成为 “可参与创作” 的艺术品 —— 盘玩时，不同人能从留白中读出不同心境：或为 “孤舟蓑笠翁，独钓寒江雪” 的孤寂，或为 “行到水穷处，坐看云起时” 的从容。 盘玩中的 “意境流转” 随着长期盘玩，籽料的油脂感逐渐外溢，洒金皮的色泽会愈发温润（天然金点与人体油脂融合，会呈现出 “蜜金” 般的醇厚光泽），原本清晰的山水轮廓会多几分朦胧感 —— 山峦仿佛笼罩在薄雾中，江面的波光愈发柔和，老者的衣袂似有若无，让 “意境山水” 真正 “活” 了起来，实现 “人养玉，玉养人，人玉共生” 的境界。 四、收藏之值：可玩可藏，传世之选 从收藏角度看，这款和田玉籽料洒金皮浮雕意境山水手把件，兼具 “材质稀缺性、工艺艺术性、情感共鸣性” 三重价值，是和田玉收藏中的 “硬通货”
In the Collection of Hetian Jade Handheld Pieces
When the natural rarity of "seed material", the rare beauty of "gold-sprinkled skin", and the literati charm of "landscape with artistic conception" are perfectly integrated, the result is an heirloom piece that is hard to come by in the collection of Hetian jade handheld pieces. This Hetian jade seed material handheld piece with gold-sprinkled skin, featuring embossed landscape with artistic conception, is precisely a masterpiece that condenses nature’s gifts and human ingenuity in the palm of one’s hand. With seed material as its bone, gold-sprinkled skin as its soul, and embossing as its brush, it outlines a poetic scene of "golden radiance covering mountain ranges, mist winding around river currents" on the tiny jade piece. It is not only a warm and tactile plaything within reach of the fingertips but also a microcosm of Oriental aesthetics hidden in the palm.
I. Rarity of Material: Seed Material as the Foundation, Gold-Sprinkled Skin as the Soul
The preciousness of this handheld piece first stems from its irreplaceable natural material—the perfect combination of high-quality Hetian jade seed material and natural gold-sprinkled skin, which lays the foundation of "excellent jade quality and skin color" for the presentation of the landscape’s artistic conception.
Seed Material Texture: "Warm Time" in the Palm
The sele cted seed material has been washed by the Yurungkash River for thousands of years, with its surface covered in fine natural "sweat pore" textures. To the touch, it is as smooth as condensed fat, without the slightest sense of harshness. It boasts excellent toughness, which not only allows it to quickly develop a rich patina after long-term handling (the oily luster overflows with body temperature, becoming more lustrous the more it is handled) but also supports the complex craftsmanship combining high relief and low relief. This ensures that the edges of mountain ranges and the textures of trees are clear and three-dimensional, and not prone to cracking. The base color of the jade flesh is suet white or first-grade white jade, with a fine and cotton-free texture. When observed under a bright light, only subtle natural jade veins are visible, fully demonstrating the essence of seed material as the "elite among jades".
Gold-Sprinkled Skin Color: Nature’s "Gilded Brushstrokes"
The gold-sprinkled skin on the surface of the jade is naturally formed, with golden spots sparsely distributed in a star-like pattern. Its color is warm honey gold, like scattered gold pieces of sunlight falling on the jade, without the stiffness of artificial dyeing. The most wonderful part is the natural harmony between the distribution of the skin color and the landscape theme: the flake-like gold-sprinkled skin on the top of the jade is carved into "the rising sun in the morning mist among mountains"; the star-like gold-sprinkled spots on the edges are transformed into "sparkles on the river surface" or "golden leaves in autumn forests"; even a few strands of ribbon-like gold-sprinkled skin extending along the jade’s texture are skillfully carved into "mountain springs". This achieves the effect of "the skin color being the scenery, and the jade flesh being the blank space". This integration of "nature creating the skin and human creating the scenery" makes each handheld piece a unique one-of-a-kind work.
II. Ingenuity of Craftsmanship: Embossing as the Brush, Artistic Conception as the Soul
Adhering to the concept of "using a knife as a brush and learning from landscapes", jade carvers have perfectly combined traditional embossing techniques with the "Three Distances Method" of Chinese landscape painting, depicting a scene of "a tiny forest in the palm, an artistic conception spanning miles".
Composition: The Whole Landscape Hidden in the Palm’s Tiny Space
A combined composition of "high distance + level distance" is adopted: on the left side of the handheld piece, steep mountain ranges are carved using high relief, with the mountain peaks hidden in mist (expressed through blank space in low relief). Winding stone steps are outlined with incised lines in the mountains; the pine trees beside the steps have their trunks highlighted using high relief, and the pine needles are arranged in a radial pattern with fine incised lines, eventually merging with the "mist" in the original color of the jade flesh. The overall layout is dense on the left and sparse on the right, heavy at the top and light at the bottom. It not only fits the curve of the palm when held (the raised parts of the mountains fit the depressions of the palm, and the flat river surface is convenient for the fingertips to stroke) but also creates a profound artistic conception of "lofty mountains and distant rivers, vast sky and earth".
Details: Ingenuity Revealed in the Minutiae
Mountain Range Section: For the near-view rocks, the "hemp-fiber texturing" technique is used, with fine incised lines to show the rock texture. The high-relief rocks have sharp edges and corners; the mid-view mountains transition with low relief; and the distant mist is left in the original color of the jade flesh using the "carving-down method", creating a perspective effect of "solid in the near view and void in the distant view". More ingeniously, the gold-sprinkled skin in the depressions of the mountain walls is carved into "moss", and the combination of golden spots and dark jade veins endows the rocks with a sense of vicissitudes from years of erosion.
Forest Section: The trunks of the pine trees in the mountains are carved with a mottled texture using high relief, and the pine needles are as thin as human hair but each clearly distinguishable. A corner of a mountain pavilion in the distance is exposed (in low relief), and the blank space inside the pavilion leaves room for viewers to imagine the scene of "an old man watching the river and contemplating Zen".
III. Profundity of Artistic Conception: Golden Radiance Reflecting the Landscape, Poetry Hidden in the Palm
The core charm of this handheld piece lies in the fact that it is not just a "carved landscape" but a "creation of artistic conception", condensing the Chinese people’s reverence for nature and yearning for literati life in the tiny space of the palm.
The "Pivotal Artistic Conception" of the Gold-Sprinkled Skin
The gold-sprinkled skin is no longer a mere "skin color decoration" but a core carrier of the artistic conception. The flake-like gold-sprinkled skin on the top represents "the rising sun at dawn", endowing the mountains with the warmth of morning light; the star-like gold-sprinkled spots on the river surface symbolize "sparkling waves", giving the flowing water dynamic charm; even a few golden spots on the mountain peaks are carved into "red autumn leaves", instantly infusing the landscape with the vitality of the season. The contrast between gold and white, and the integration of cool jade and warm gold, break the monotonous color tone of traditional landscape jade carvings, making the artistic conception of "autumn river in morning mist" vividly come to life on the jade.
The "Beauty of Blank Space" in Literati Paintings
Drawing on the blank space technique of traditional literati paintings, the uncarved parts of the jade are endowed with rich connotations: an oval piece of pure white jade flesh represents both "the sky" and "mist"; the blank space at the end of the river symbolizes both "the long-flowing river" and "the end of the world". This kind of "creating something out of nothing" through blank space allows the handheld piece to transcend the "concrete landscape" and become an "interactive artwork open to interpretation". When handling it, different people can perceive different moods from the blank space: it may be the loneliness of "a lonely fisherman in a straw cloak, angling alone in the snow-covered river" or the calmness of "when I reach the end of the water, I sit and watch the clouds rise".
The "Flowing Artistic Conception" During Handling
With long-term handling, the oily luster of the seed material gradually overflows, and the color of the gold-sprinkled skin becomes more warm and mellow (the natural golden spots blend with human oil, presenting a rich "honey gold" luster). The originally clear outline of the landscape gains a touch of haziness—the mountains seem to be shrouded in thin mist, the sparkles on the river surface become softer, and the sleeves of the old man seem to fade in and out. This truly "animates" the "landscape with artistic conception", achieving the state of "man nourishing the jade, the jade nourishing man, and man and jade coexisting in harmony".
IV. Collection Value: Playable, Collectible, a Choice for Heirloom
From a collection perspective, this Hetian jade seed material handheld piece with gold-sprinkled skin and embossed landscape with artistic conception possesses threefold values—"material scarcity, craftsmanship artistry, and emotional resonance"—making it a "hard currency"inHetianjadecollections.
